top of page
  • Blanc Icône Instagram
  • Blanc Facebook Icône

FRANCE              •              PORTUGAL              •              SYRIA              •              BRAZIL              •              EGYPT             •              ITALY              •              ENGLAND              •              CHINA       

Pogo

PARIS - VALENCIA

2017 -2020

EQUI.VALENCIA

Flyapsara, at EP7 Paris 13, 2019

Made by africa, Mayotte, 2020

ARTIST:

KÚN 君

COLLABORATORS:

Charles Elias Boudlal Faïza Saïd

Studio Mahali

Studioklm

Equi.valencia is a project that was born in the city of Valencia in Spain, where KÚN 君 resided for one year between 2017 and 2018.

 

The aim and beginning of this process is that everything has its equivalence.

 

It is a constant search for the best way to materialise one's gaze, through a work, and that this work can itself be interpreted by the beholder.

 

A selection of works (non-exhaustive) from this project

 

Nez pour chiller, 2018

Equi.valencia, 2018
Couvre-chef, 2018

Natur(al)chimie, 2018

Champi Chapo, 2018

Def(lance), 2018

(Owl)y Stairs, 2018

Rester de marbre, 2018

 

Dame de Fer, 2019

Pirock, 2019

Game block, in partnership with Charles Elias Boudlal, 2019

Have a break, in partnership with Charles Elias Boudlal, 2019

Montdae, 2020

ELKUN

KÚN 君

KÚN's artistic approach.

KÚN 君 comes from the Japanese suffix "-kun".

It is used when talking to a person of the same age and social level as yourself.

 

It is a way to position yourself as an artist on the same level as the person who looks, interprets or talks about your work;

To give as much importance to the word of the other as one's own;

Leaving aside the image of the artist feeling superior to the rest of human beings.

 

He began the collages by collecting images -in advertisements, old magazines, on the internet- and literally exchanging the functions found in these images, breaking the codes and provoking the viewer.

 

This is how he came - with a certain obsession - to want to reveal links, obvious to him, between things that a priori have none.

 

This process has as its end and beginning that everything has its equivalence. It is a constant search for the best way to materialize his gaze, through a work, so that this work can itself be interpreted by the beholder.

BY THE SAME ARTIST:

collage
histoires

FRANCE              •              PORTUGAL              •              SYRIA              •              BRAZIL              •              EGYPT             •              ITALY              •              ENGLAND              •              CHINA       

bottom of page